Tag: Rick Hoberg

The Strangers # 2: “Hey! Hugh! Get Off’a McCloud!”

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strangersissue2The Strangers # 2
“Jumpstart!”
Written by Steve Englehart, Illustrated by Rick Hoberg, Tim Eldred & Larry Welch
Lettered by Tim Eldred, Colored by Keith Conroy
Edited by Chris Ulm

Yes, this is the issue where we start off with one of the most groan-inducing bits of alleged humor that the Ultraverse ever saw. Even in 1993, a joke involving the old television show McCloud was pushing it in terms of being relate-able for the audience.

Moving on from there, we see our new group of heroes continuing their pursuit of answers. After a quick origin recap, we begin to see the early stresses about who will be the leader of the team — Elena is the natural person to do it, given her personality and her experience but Bob is someone that people relate to and he’s a little less in-your-face when it comes to ordering people around. We also get some neat scenes as both Candy and Dave experiment with their powers and learn a bit more about their limitations.

All of this leads to The Strangers discovering the homeland of Yrial — a floating island, hidden behind a magical cloud. If this sounds like something out of an old pulp novel, that’s because it is. Our heroes are captured but Dave’s continuing path of power discovery leads to their freedom — but not before Bob learns that not only can he transform items, he can also transform languages! Yes, it was a bit of a stretch.

Anyway, it turns out that Yrial’s people are a mysterious bunch who worship something called the Starfoam and who may have knowledge of the entity that granted our heroes their powers. The tribe’s leader orders Yrial to accompany The Strangers back down below, both learning from them and teaching them of their ways.

The issue ends with Bob officially christening our team as The Strangers.

Hmm. I love this series but I felt that this particular story was a major misstep. It was simply too early to abandon the down-to-earth feel of the first issue and go gallivanting around on a floating island. When we return to the more “mundane” world of superhero action in issue 3, this story feels all the more unusual. Plus, Yrial was by far the least interesting member of the team to me… and while the rest of the group was tied together by their origin, Yrial’s early inclusion seemed to weaken the bonds that held them together.

Art-wise, it’s solid as Rick Hoberg continues to do some lovely work on the facial expressions. Still no costumes (aside from on the cover) but they’re coming, for good or bad!

Speaking of the cover, I don’t really care for this one — for a posed image, it looks pretty busy.

Things will pick up in issue three as TNTNT is introduced!

A Fine Looking Group of Strangers

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As much as I like Rick Hoberg’s art, my favorite single image of The Strangers was actually drawn by a superstar artist not usually associated with The Ultraverse. Bryan Hitch delivered this awe-inspiring image and I have to say that I sometimes wonder if the group’s popularity wouldn’t have been a bit better if the series had featured a slicker art-style than what we usually got from Hoberg. Rick Hoberg was solid and did a fine job but it was also a little old-fashioned, at least to my eyes.

Anyway, let’s all agree that this particular image really pops, shall we?

hitch_strangers

 

The Strangers – “Jumpstart!”

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strangers_issue1The Strangers # 1
“Jumpstart!”
Written by Steve Englehart, Illustrated by Rick Hoberg & Tim Eldred
Lettered by Tim Eldred, Colored by Paul Mounts
Edited by Chris Ulm

And so it begins! The Ultraverse really gets going in this story as 59 random people onboard the Powell Street Cable Car in San Francisco are struck by an odd lightning bolt from the sky. While the passengers appear to be unharmed, a driver is struck in the head by a piece of shrapnel, leading to him becoming — wait. That’s another Ultraverse title entirely! Let’s stick with the folks who will become The Strangers, okay?

We’re quickly introduced to the majority of the cast, as many of them are watching as jerk millionaire J.D. Hunt is fondling a compliant young woman named Candy. His actions disturb many of the passengers and several of them toss Hunt off the cable car just before the lighting bolt hits home, preventing him from becoming one of the recipients of power.

What’s that, you say? Recipients of what-now? Well, it seems that the people struck by the bolt are changed… Candy seems quite different in personality right away and bolts off from J.D. Hunt, much to his dismay. Bob Hardin and Hugh Fox, students at the San Francisco Art Institute, quickly learn that they they are able to transform matter and explode shrapnel from their body, respectively. Elena LA Brava, fashion designer, is able to hit anything that she aims for, Dave Castiglione is able to utilize various powers by changing through the colors of the spectrum. Sixth grader Leon Balford finds that he has superspeed, which helps him in avoiding some of the local toughs in his neighborhood.

When a mysterious woman (Yrial) appears at the site of the cable car accident, many of those affected are drawn back to the scene, hoping to find answers. After battling Yrial, who speaks some unfamiliar language, the group elects to follow after the fleeing woman and discover the full truth about what’s happened to them. As one of them says, “This morning we had nothing in common — we were all strangers!”, prompting this response from Bob, “And now… now we’re all stranger than ever!”

This 28-pager is packed with information and takes a lot longer to read than most modern comics. Englehart really delivers with witty dialogue that helps differentiate the large cast. Rick Hoberg’s pencils are a far cry from those of my favorite comic book artists (George Perez, Alan Davis, etc.) but he delivers with some great panels showcasing facial expressions and poses.

This issue introduces a number of important concepts — the Jumpstart event itself, J.D. Hunt and the Night Man. While we don’t get any of the heroes in their costumes or with their code-names yet, it’s easy to see where it’s all going to come from since Elena is busily sketching away costume designs in the story.

Re-reading this book, I was struck by how enlightened Englehart was in terms of subtly introducing topics such as misogyny and homosexuality. Elena is beautifully depicted by Hoberg throughout and I found myself quite drawn to the character, more so than I was when I first read this story back in (gulp) 1993.

Candy’s lingerie gets quite a few interesting reactions in the story and while I appreciate the lovely form that Hoberg graced her with, I’m looking forward to seeing her a bit more covered up in future issues.

In the next issue blurb: “You’ve been here at the beginning of The Strangers and the secrets of the Ultraverse! Strangers # 2 keeps it rolling next month in: HEY, HUGH, GET OFF’A MY CLOUD!” As we’ll see at the start of the next issue, that title is actually not quite correct… leading to one of the more groan-inducing moments in the series.

Can’t wait, can you? We’ll be back soon with a look at issue two.

More Than Just Eye Candy

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rick-hoberg-the-strangers-21-1995-electrocuteOne of the most interesting characters in the Ultraverse was the heroine known as Electrocute, one of the founding members of The Strangers. A gynoid (female android) named Candy by her creators, she was designed to be a sex toy for men. She was gorgeous and programmed to be completely submissive to the men who used her.

That all changed after the Jumpstart event.

Suddenly granted sentience, Candy now struggles to understand who and what she is. Basically, you have the classic Tin Man or Data storyline tropes, only with the added weight of sex roles, gender equality and notions of power thrown into the mix. What you initially think you’re getting from the character is continually turned on its head — her codename is deliberately “cutesy” and in the very first issue, she runs around in lingerie the entire time. But when you see past the visuals, you realize that she’s just as scared and confused as the rest of the team, if not more so.

As the series progresses, we see Candy enter into her first real romantic relationship (with her teammate, Grenade) and continually struggle to find out who she really is.

I’m not going to claim that the creative team always hit the mark with the character. Englehart occasionally took an awkward turn with Candy and often the storyline was a bit too heavy-handed but I think you have to give him props for what he was trying to do. In an era of ” bad girls,” he took what could have been a throwaway hyper-sexualized character and spent a lot of time giving her depth and emotion.

Our powerful image today is courtesy of artist Rick Hoberg and adorned the cover of The Strangers # 21.