Tag: Rick Hoberg

The End of the World! Sort of.

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The Strangers #11 cover by Rick HobergThe Strangers # 11
“Detour”
Written by Steve Englehart
Art by Rick Hoberg & Tim Eldred
Edited by Roland Mann

As the title suggests, this story veers away slightly from the main arc surrounding Yrial. That’s not a bad thing, however, This issue not only features some amazing artwork from Hoberg & Eldred (particularly in depicting the various locales our heroes find themselves in) but Englehart’s character work truly shines — especially with Zip-Zap.

In this story, The Strangers have escaped from the world of demons they were in last issue, only to find themselves on an odd planet composed of pieces of many different worlds. Zip-Zap not only saves the team from certain death at the beginning of the tale (borrowing a gimmick from The Flash) but he then puts the together the true nature of this world, befriends some locals and even challenges The Entity who gave them their powers to actually do something useful. We really get a good feel for something that I’ve always felt to be the case — Leon is the heart of this team. I’d argue that Candy, ironically, is the “soul” embodying their mutual desire to figure out who they are and what they can be but Leon is the kindest of them all. To him, nobody is truly a Stranger — they’re just somebody he hasn’t gotten to know yet.

Elena also comes out and makes a strong statement about being the leader of the team in this issue — and nobody challenges her on it. In fact, Bob seems to endorse the idea and they two of them sneak away for some alone-time, which doesn’t go unnoticed by others. We get some more Hugh & Candy loving, as well, while Dave obviously feels left out as the group is breaking into little romantic cliques.

While the issue doesn’t progress the Yrial storyline very much, I still really enjoyed it. Englehart is at his best at times like this — multi-issue epics where he can mix-and-match the heroes in different settings and get deep into their emotional connections. While I wouldn’t put this story on the level of something like The Celestial Madonna storyline from Avengers, I can’t help but see echoes of such in this issue and others.

A truly fine example of why this title deserved a much longer lifespan!

“Atom Bob Brought You Down! Remember The Name!”

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The Strangers #10The Strangers # 10
“The Door To Doom!”
Written by Steve Englehart
Art by Rick Hoberg and Tim Eldred
Edited by Roland Mann

This issue starts off with a really fun cover as The Strangers are engaged in undersea combat with some sort of demon that’s partially emerged from a rift of some kind. At first glance, it’s kind of confusing as to where they are and what’s going on but I find myself spending a lot of time looking at it and it’s got some definite energy so I give it a thumb’s up.

Story-wise, the team has finally found the coordinates that Yrial gave them and they end up traveling through a rift into another dimension — one inhabited by a demon king named Bastinado. Bastinado has a peculiar way of talking that’s amusing but it also sort of undercuts the threat we’re supposed to be feeling. Here’s some examples: “Bastinado! Bastinado me! you t’ink Bastinado foolish — Bastinado no speak your words good!” Honestly, Bastinado, you speak English as well as some folks that I know around here. You’re fine, really.

After an epic battle, Atom Bob steps up to the plate and kicks Bastinado’s ass, pretty much single-handedly. The team then departs, having learned some powerful secrets about Yrial’s people that they believe will help convince the chief to let her go… or else they’ll spill the beans about what they know.

If it sounds like I’m giving the plot short thrift, it’s because I am.

I want to talk about something very specific here — in the previous issues we’ve seen Bob struggling with his role on the team. Is he a leader? He’s clashed a bit with Elena because while people naturally gravitate to Bob, she’s the one with the actual experience running groups. In this issue, she saves his life at one point, leading to a bruised ego on his part.

And that leads to something else we’ve seen from Bob — a desperate need to prove himself, not just as a hero but as a man. He’s tried and failed to impress Choice, Electrocute and Elena. While the implication is that Elena and Bob may have gotten physical between last issue and this one, he still feels like he’s a failure in her eyes. He wants to show everyone that he’s strong, capable and potent. In the battle with Bastinado, we see Bob’s power really come to the fore and he looks almost demonic in battle, with his eyes glowing red and with him shouting his name, demanding that everyone take note of him.

I generally try to stay away from spoilers for later in the series, instead pretending that we’re all reading these books for the first time as I review them. But all of these story points really come to fruition down the line and it’s worth noting that Englehart has planted these seeds early on. It’s a remarkable bit of plotting and character building.

Art-wise, things are very strong here. I liked the demons and any time Hoberg gets to draw Elena in a swimsuit is fine by me. There’s a nice shot of several team members in their costume that’s almost pin-up worthy, as well.

At the back of the book is a tribute to Jack Kirby, with remembrances from various people in the Ultraverse family. Well worth checking out.

Another great issue – the book has definitely hit its stride!

 

Arr! Here Be Pirates!

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The Strangers #9 cover by Rick HobergThe Strangers # 9
“Taken By This Guy!”
Written by Steve Englehart
Layouts by Rick Hoberg
Pencils by Steve Skroce
Inks by Tim Eldred
Edited by Roland Mann

Let me start by saying that this is one of my all-time favorite issues of The Strangers. There’s some seriously whacked-out stuff that goes on in here but it’s delightfully strange and I love it.

Our heroes are in hot pursuit of answers when we begin our story, intent on following up on the coordinates given to them by Yrial before she was taken away by her people last issue. As such, they’re boarding a yacht in the Caribbean and we get some incredibly awesome character work from Englehart here — we get to see more of Hugh and Candy’s romance, which while extremely physical does seem to include some genuine emotional connections, as well. Hugh seems to recognize that he’s lucky in this relationship and doesn’t want to screw it up. Meanwhile, romance is brewing in other quarters, as well — Bob has taken an interest in Candy’s physical attributes while Elena is admiring him, in turn. There’s some fun stuff where Elena is thinking how strange it is that age 31, she’s the “old woman” of the group. She decides to try flirting with 19-year old Bob to prove that there’s some life left in her!

Meanwhile, Leon continues to prove that he’s really the heart of the group as he worries about Yrial. Leon is usually the one who shows the most genuine concern about the other members — especially Yrial, with whom he bonded early on. It’s a sweet side to his character and I’m glad that Englehart didn’t go the “angry black youth” route with the character.

Once they decide to take a break on an island they’re passing, we get to see my favorite parts of the issue — Cap’n Scar and his gang of Ultra pirates: Scar himself is able to absorb powers via a scar on his chest; Gecko is a lizard man; Sandblast is basically Marvel’s Sandman; Yardarm is able to stretch his arms; and Sangre seems stronger and faster than a normal woman. The villains talk in pirate-speak and attack passing ships, looting them for all they’re worth… and they’re thrilled to see The Strangers. Why? Because they were also on the cable-car in issue one! When they got their powers, they decided to become pirates.

That’s right!

They decided to become pirates.

I adore that. I do wonder — did they talk like pirates before they got their powers? Did they always have a fondness for nautical stuff? Or did one of them pitch it to the others as a gimmick? I’d really like to know! It just doesn’t seem like something a normal group of people would do. Rob banks? Sure. Get revenge on bullies from school? I could see that. Start hanging out in the Caribbean talking like pirates and dressing like one? Huh.

Anyway, The Strangers defeat the bad guys and leave them for the Coast Guard to pick up. They then resume their trek towards the coordinates that Yrial gave them. In terms of progressing the “epic” from last issue, this one didn’t do much but it gave us some great character moments and the villains were a blast so I give it an enthusiastic thumb’s up!

The art here is by Skroce, following Hoberg’s layouts, and the stuff is gorgeous. Everyone looks great and the action scenes are never confusing. I love the designs on the pirate villains, too.

Great stuff!

Next issue: The Door to Doom!

The Strangers # 8: An Epic Begins

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The Strangers #8 by Steve Englehart and Rick Hoberg The Strangers # 8
“Taken By the Sky!”
Written by Steve Englehart, Art by Rick Hoberg (pages 1-16), Steve Skroce (17-24) & Tim Eldred (inks)
Edited by Roland Mann

The cover proclaims “Beginning Their First Epic!” which kinda discounts the recently concluded Break-Thru, doesn’t it? Anyway, we start with our heroes returning to Earth and finding a large contingent of media (and military) waiting for them. As Grenade points out, “Stealing J.D. Hunt’s rocket from an air force base will do that for you!”

There’s a nice exchange between Leopold (of Aladdin) and Captain Christopher Dugan. While Aladdin wants The Strangers to come in for questioning, the Captain refuses, claiming that he gave our heroes permission to use the rocket — this is obviously not the case but Dugan feels the world owes The Strangers thanks for their role in defusing the crisis. Awful nice of him, isn’t it?

We also get a conversation between David and Dugan about gays serving in the military. Keep in mind that this was during the Clinton era and the topic of Don’t Ask, Don’t Tell was definitely seeping into the minds of the populace. Englehart’s own views come across pretty clearly, I believe, as Dugan responds to David’s admission of his homosexuality by saying, “We’re not all neanderthals in the service, son! I signed up to protect the country, not worry about its love life! The only way I rate people is by effort on the job!”

It’s interesting to see how far we’ve come on discussions like this in just a couple of decades — by today’s standards, dialogue like this seems very heavy-handed and preachy but at the time, it was a pretty bold declaration.

It’s at this point that Chief Aula shows up and informs Yrial that it’s time to come home — she was assigned to The Strangers to help them learn about their origins and she’s done so. Thus, her mission is over. To everyone’s surprise, Yrial states that she’d like to remain with the group and learn more about their ways but this only proves to the Chief that she’s grown too close to them. Yrial strikes out at her leader but eventually relents, telling her friends to abide by her decision to follow the dictates of her people.

The Strangers, of course, ignore this and fly to Sky Island in hopes of getting her back. They liberate Yrial and she tells them that she’s secretly visited their world many times and grown to appreciate it. After a terrific battle between Sky Island’s inhabitants and The Strangers, Yrial once again submits to the Chief’s orders and she’s imprisoned. The Strangers leave but Elena discovers that Yrial slipped a small piece of clay into the folds of her cloak — one that hads longitude and latitude coordinates on it. The Strangers realize that Yrial still needs their help and they swear to follow through on this clue.

Story-wise… some good moments, especially for Yrial. She was always my least-favorite member of the team and so any storyline set amongst her people were never my favorites. Even so, we have nice scenes for several different characters, though by this time I was beginning to feel that David was being defined by his sexuality, as opposed to having it just be a part of who he was. Again, I realize what Englehart was going for and applaud it but it’s still a bit cumbersome.

Steve Skroce, who would do some fine work at Marvel, fills in here on the latter half of the book and does a nice job. In fact, he does a passable imitation of Rick Hoberg — which may be attributable to Eldred on inks. Skroce draws a very fetching Electrocute, in particular.

The cover… I don’t like it. Several characters (like Candy) look stiff and weird and the colors on Yrial makes her fade into the background.

So we’re off and running on this ‘epic’ and we’ll have to see if it lives up to the billing.

The Strangers # 7: Prototype!

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strangers7The Strangers # 7
“Prototype-A Behavior”
Scripted by Steve Englehart with co-plot by Tom Mason & Len Strazewski
Art by Rick Hoberg & Tim Eldred
Edited by Roland Mann

This issue picks up from Break-Thru # 1 and Prototype # 5 so we start in the middle of the action — The Strangers, we are told, have stolen J.D. Hunt’s rocket to get to the moon in hopes of investigating the strange energies that are found there. Now, I thought about doing mini-reviews of those other issues but I chose not to because both series will be covered elsewhere and I think we all need to be reminded sometimes of what it’s like to follow only one or two series — and then have said series hijacked by a crossover. It’s been about 20 years since I’ve read Break-Thru and much of my memory is cloudy… so reading this issue of Strangers is very much like being a reader who chose not to follow the rest of the crossover.

How does it hold up?

Pretty well, actually!

We get some really fun interactions between Prototype and The Strangers — I particularly enjoyed Prototype claiming that he’s a more experienced Ultra than our heroes and Electrocute pointing out that all he did was trade shows and public appearances until The Strangers showed up. We also get to meet Supra and Empire, who are there to reclaim the rocket — as is Prototype. Obviously, this means that we get some classic hero-on-hero action! That sounds kinda rude but you know what I mean…

We also learn that Dave’s indigo power allows them to survive in space. Yes, it turns out that whatever force gave The Strangers their powers knew they’d eventually need to leave Earth and journey into the stars.

Meanwhile, Yrial and Electrocute battle Prototype out in space and we’re reminded once more that our android heroine is one of the most powerful members of the team. Her actions lead to Prototype realizing that fighting is getting him nowhere so he surrenders and offers to work with The Strangers. A wise decision.

After battling some carnivorous aliens, Empire is killed and Electrocute is reminded once more of how little she understands about the human experience… seeing death so close and personal greatly upsets her and leads to her begging Grenade for comfort. If it sounds like I focus a lot on Electrocute in these reviews it’s because Englehart’s characterization really shines in her scenes. She’s the classic “tin man” who yearns to be human and while it’s a classic trope, it’s always effective when done well.

There’s an emotional sacrifice on the part of Supra that allows our heroes to escape with the rocket and continue their trek to the moon — kind of a shame to see both of the new characters we’re introduce to here killed off but they’re more interesting in death than they were beforehand.

We then get an absolutely hilarious two-page strip featuring Englehart and Hoberg explaining The Strangers and their origins to some young fans, who continually point out all the other heroes that are similar or that these creators have worked on previously. I loved this. Really, really worth seeking out.

Story-wise, this is a fun issue with solid characterization. Even if you aren’t reading the rest of Break-Thru, it made sense and progressed not just the crossover’s plot but the ongoing Strangers subplots.

Great art from Hoberg — as always, his facial expressions are solid and he draws a fantastic Prototype!

Next issue: The End of a Stranger?! Can it be? Stay tuned….

Strangers # 6: Deathwish Returns

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strangers6The Strangers # 6
“The Tao of Physiques!”
Written by Steve Englehart
Art by Rick Hoberg and Dave Simons
Edited by Chris Ulm

After being dispatched last issue, the supervillain Deathwish makes a speedy return… it was such a quick rematch that even Englehart had to joke about it on page one: “Thought he was gone, didn’t you? So did they…”

Now, one might ask if Deathwish was an interesting enough foe to deserve a return bout, especially so soon. I’ll admit to not feeling the Deathwish love but both last issue and this one gives us the opportunity for some really great characterization – so even if Deathwish himself is kind of blah, he serves as a useful tool for exploring David’s powers and their limitations (last ish) and Electrocute’s status as an artificial lifeform (stay tuned).

After doing some cleanup at the scene of last issue’s battle, Zip-Zap continues teasing Yrial about her membership with the team. Though she continues to loudly proclaim that she’s not really a Stranger and has no desire to be, her actions suggest otherwise. At this point, Yrial is becoming a little more interesting but I still find her to the one member who sticks out like a sore thumb.

At the hospital, Deathwish returns out of the body of G. Lawrence Bushnell, empowered once more by all the beings who are lying near death in the medical facility. Another fight ensues, with Zip-Zap showing off his powers in close quarters. Eventually, Lady-Killer, Zip-Zap and Yrial follow Deathwish into the morgue, where they’re forced to take on their foe while the other members of the team rush to the scene. When Yrial initally refuses to enter the fray, a disappointed Zip-Zap declares “This is the coldest, lowest, sorriest, slimiest–! I thought behind all that shuckin’ an’ jivin’ — I thought we were friends!” It’s a powerful moment though I didn’t know a single person who still said shuckin’ an’ jivin’ in 1993. Perhaps I was just around the wrong people.

Anyway, the other Strangers show up and a massive battle takes place — with Electrocute taking center stage. In a really well-done scene, she declares “I was made in a factory! I can’t die — and I hate it!!! J.D. Hunt made sure the fear of pain and death weren’t programmed into me — so he could anything he wanted with me! You think I’m proud of that? I want to fear death! I want to be able to die — so I can know I lived! But I can’t die! I can’t die! I cant dieee!!!”

Yes, it’s powerfully overwritten but the moment kind of demands it. The expression on her face (as depicted by Hoberg and Simons), coupled with her words really makes the character (forgive me) come alive. Her desperate need and desire to be “real” has never been as clearly depicted to this point. It really, really works.

Meanwhile, Yrial has found the nurse for Deathwish’s host and unleashes Henrietta’s full potential. The nurse, too, was changed by the Jumpstart… and within her is a beautiful embodiment of Life itself. Freed from the shackles of her physical form, Henrietta goes in search of Deathwish and the two of embrace, vanishing before the eyes of our heroes. Yrial proclaims that “I helped the woman of light come forth, knowing she would nullify the man of darkness…!” Zip-Zap apologizes for doubting her while the rest of the team mulls over the fact that people changed by the Jumpstart sometimes don’t show those effects for many months. As they wonder who else is out there, we’re teased that next month brings the crossover known as Break-Thru… and for The Strangers, that means Prototype!

We get a nifty Lady-Killer pin-up by Statema & Schellinger to round out the issue.

Great story by Englehart, especially the parts with Zip-Zap, Yrial and Electrocute. The art was quite nice and I think that Simons is a really nice complement to Hoberg, especially on the facial work.

The series is really hitting its stride, folks!

The Strangers # 5: Deathwish!

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The Strangers # 5
“Dynamic Tension”
Written by Steve Englehart
Art by Rick Hoberg and Tim Burgard
Edited by Chris Ulm

This issue features some of my favorite moments from the early Strangers run. With the team finally taking some time to re-establish their personal lives, we get to see our heroes away from one another, hanging out with family and friends. It was a really needed set of moments because the first four issues moved at a breakneck speed. By today’s standards, this issue gallops along but at the time, it was very much a “breather” issue, even with the big action at the back half of the book. In fact, I would have been okay if Englehart had used a “day in the life approach” and not had a big villain in this issue at all — just give us more of the characters being who they are.

The issue begins with the team splitting up. Bob goes home to visit his parents and we find out that his newfound celebrity has really changed things – women who ignored him before are calling him up and the media is camped outside his parents’ residence. Leon returns to the mean streets and teaches a lesson to the gangbangers who tormented him in the past. While it wasn’t the most mature thing to do with his powers, it perfectly fit with his age and felt very real. Hugh and Candy talk about his past (he was a “famous” high school quarterback) and the two of them briefly fight about the nature of their relationship before they make up. As Hugh says to the reader, “I’m confused! You must be a real woman–!” Ah, Englehart, you slay me. Elena continues to be my favorite character, working to further the team’s public relations position while Yrial is the one who uncovers the threat of Deathwish, who turns out to be another survivor of the cable car accident from issue one.

But before we get there… David tries to use his healing powers on a friend who’s dying of AIDS. Like with Leon, this scene really worked because these are the kinds of things that real people would do with superpowers. The outcome isn’t a good one, though, and it reminds the entire team that their newfound powers don’t make them gods… they have limitations.

The Strangers come together to face Deathwish, who’s killed everyone on his city block. After a quick debriefing with Captain Jacob Rome (San Fran’s official Ultra liaison as of Freex # 2), our heroes come face-to-face with Deathwish, a scary-huge villain who says things like this: “Because it wasn’t Death who touched them! It was far, far worse — the all-consuming lust for oblivion! It was I — Deathwish!”

As Electrocute says, “Goodness!”

We find out that Deathwish grew from Bushnell, the old man who was riding the cable car. He’s basically the old man’s sickness given physical form and he’s eager to spread out and infect others with his precious “oblivion.” While the watching cops wonder if this dark individual has any connection to the Night Man (more continuity cross-promotion), David is able to use what he learned in his failed attempt to help his friend to overwhelm Deathwish and (apparently) destroy him. In a somewhat poignant moment , Deathwish proclaims “No! No! Deathwish does not wish to die…”

A really strong issue! Hoberg catches the despair on David’s face and has some cute moments throughout. While the fight ties in to the major character moment of the issue, I still think that the strongest pieces of the story were the earlier ones where we simply got to know them all as people a little bit more. Englehart was always a master at characterization and the series shines the most when he goes that direction.

In bonus material, we get a couple of Rune pages in a flip-book format and an introduction to the Night Man written by Steve Englehart.

Next issue: the long-awaited return of… Deathwish! Wow, that defeat didn’t last long, did it?

The Strangers # 4: Hardcase!

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The Strangers #4 with Hardcase

The Strangers # 4
“Between A Rock And A Hardcase”
Written by Steve Englehart with plot assist from James Hudnall
Art by Rick Hoberg & Tim Burgard
Edited by Chris Ulm

When last we left our heroes, The Strangers had dropped in on Hardcase, demanding in no uncertain terms that the time had come for a teamup! When we rejoin them, we find that our heroes (along with Hardcase and his partner Choice) are prisoners of Aladdin. We discover that Aladdin has the means to hold Ultras against their will and aren’t afraid to use those techniques — and they’ve gone even father than that. Using DNA salvaged from the dead members of The Squad, they’ve actually used the powers of Hardcase’s dead friends to come up with new weapons and systems. This doesn’t sit well with Hardcase for obvious reasons.

Meanwhile, Yrial continues to struggle with her place on the team and we see the beginnings of a potential romance between Atom Bob and Choice… one that reveals a number of self-doubts in Bob. These will take on new importance later in the series but we’re getting ahead of ourselves.

Sam Grandee, the gripman on the cable car that was hit by the Jumpstart effect, shows up — he’s now The Grip and is working for Aladdin. Steve Englehart raises some racial issues when he as Dirt Devil (another Aladdin operative) whispering “That boy’s great-grandpappy would’a made a helluva slave, Foxfire!” While I always appreciated that Englehart didn’t shy away from such subjects, there were times (like this one) when he did it with all the subtlety of a sledgehammer.

Grenade and Hardcase use their powers in an inventive way to get past the prison they’re being held in and the team begins exploring Aladdin’s secret base. Along the way, we get lots of character bits and Engleheart moves forward the subplots regarding Lady Killer’s growing appreciation of her teammates, Zip-Zap’s feelings about his place on the squad and the love affair between Grenade and Electrocute.

After a big battle with the powered forces of Aladdin, both sides agree to a truce. Bob makes the stipulation that any attack on Hardcase and Choice would be seen by The Strangers as an attack on the entire group. In the end, Hardcase turns down a chance to join the team and everyone parts as friends.

First off, let me say that the wraparound cover is GORGEOUS and easily one of the best in the entire run. I always had a fondness for that weird outfit that Choice wore and Hoberg depicts her quite well, as he does with all the ladies.

Story-wise… this has some great character-building moments and the action is interesting enough but in the end, it felt like not a lot actually happened. Aladdin is kinda bad? Well, we knew that… Hardcase can be a bit of a jerk sometimes? Yeah, knew that. The Strangers go their way and Aladdin keeps conducting awful research on Ultras. Hmm.

Having said that, I generally enjoyed this issue. It really felt like the old Marvel issues where heroes would team up, move past their differences and then save the day.

Next up: Deathwish!

The Strangers # 3: The Explosive Debut of TNTNT!

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Strangers 3The Strangers # 3
“Now You Seven Die At the Hands of TNTNT!”
Written by Steve Englehart
Penciled by Rick Hoberg
Inked by Tim Burgard & Larry Welch
Edited by Chris Ulm

This issue starts off in the middle of a huge donnybrook (always wanted to use that word) as our heroes are attacked by the forces of TNTNT. In a classic, old-school fight scene, all the characters not only insult one another but find the opportunity to give their names and powers. From a modern perspective, it’s all a bit forced but having grown up with comics of the Seventies and Eighties, I’m perfectly okay with it.

So… who the heck are thee guys who call themselves TNTNT? Well, there’s a big dinosaur-like guy called Tyrannosaur, a spunky young woman  named Neu-Ronne (yeah, terrible name), a gun-wielding samurai named Tugun, a water-witch named Naiad and a strange floating armored man with energy-based arms and legs dubbed Torso.

We’re told that TNTNT has been in training for three years, mastering their abilities for the day when they would be called upon. This gives them a tactical advantage over The Strangers, who are not only new to their powers but to working as a team. Employed by J.D. Hunt, they’ve been sent to retrieve Candy (aka Electrocute).

In flashbacks, we also get to see The Strangers meeting Bob’s parents and having a discussion about building a public branding for the team. We get references to Michael Jordan and product endorsements as Englehart plays with the elements of fame in the 90’s. We also see the group getting their costumes for the first time — Leon is less than pleased with what Elena comes up with for him, rejecting all three designs. In the end, he sticks with his own clothes, preferring to have his legs relatively free in shorts.

Despite the fact that TNTNT has the advantage in terms of experience, our heroes emerge victorious and take the opportunity to introduce themselves to the media. For the first time, they’re officially introduced to the world as The Strangers. In the first of several epilogues, G. Lawrence Bushnell, one of the other passengers from the cable car accident, learns of his own ultra-abilities… and they seem much darker and evil than the ones given to The Strangers. We then get an update on the man who got the shrapnel in his brain, as he finally wakes up (you’ll learn more about him in the pages of Night Man). After a check-in with J.D. Hunt, we move over to Hardcase’s home, where The Strangers drop in unannounced, heralding their first ever… crossover!

This issue is a fun one if you like superhero fights. Englehart manages to pack in a lot of characterization with the flashbacks that surround the brawl with TNTNT and we continue to see developments in how The Strangers’ powers work. I really liked how Elena’s background in fashion and business played into the birth of the team’s public image, though I had doubts then (and even more now!) about Leon’s personal fashion choices.

TNTNT would go on to appear in other Ultraverse titles besides just The Strangers — and while they’re kinda fun, there’s nothing here that left me particularly excited about them. Their dialogue was really stilted (this was especially true of Tyrannosaur) and given the size of The Strangers, having that many villains running around made some of the pages seemed really busy.

Art-wise, there are some gorgeous panels here and there but the presence of two inkers led to some pages looking a bit rougher than harder-edged than others.

The promise of a crossover with Hardcase didn’t leave me breathless with anticipation at the time as I was never a huge fan of that character. But as we’ll see, there are some really fun moments coming up in issue 4 and I think you’ll agree that in the end, the event turns out to be an entertaining one.

Stay tuned, Stranger fans!